Tuesday, July 21, 2009

Free ambient/downtempo music from Ishq / Ishvara / Indigo Egg

Despite my rant the other day, sometimes creators & rights holders need no persuasion, because they're already on board. Cornwall's psychedelic ambient/downtempo prodigies Matt Hillier & Jacqueline Kersley, for example, are proponents of digital sharing, and Matt was kind enough to give his permission for my favorite selections from their repertoire to be made available here.
  1. Ishq - "Sky Blue (Live)"
    This track was on the Ishq website for a while in the mid-2000s. It's very similar to the studio version which appears on the 2002 Orchid album, but I just prefer this one a little better because of the way it builds in the beginning. This song is rather unusual for Ishq, as it uses a straightforward Balearic-style breakbeat sample and prominent bass riff throughout. Between the bass and synths, there's an actual melody. I think of this as "their disco record." Maybe not their deepest, but it's still one of my favorites.
  2. Ishvara - "Nomad (Arabiq Mix)"
    This, too, was on the Ishq website. It's a nice, long building track with churning percussion throughout. It never got a full release, but an edited version, "Nomad (Arabian Remix)" was released on the Vampire Sunrise compilation in 2009. The edited version doesn't have the long ambient intro and outro, but is otherwise the same as this one.
  3. Elemental Journey - "Air"
    This is Hillier in collaboration with Matt Coldrick. The 2005 album it comes from is rather trancey in a way that's not my cup of tea, but this beatless track is much different from the others and is more in line with Ishq's catalog.
  4. Indigo Egg - "Clouds of Indigo" / "Shamballa" / "Smiling Buddha"
    All three of these tracks were enhanced, remastered, and released on the official 2008 release of Ixland. What I'm giving you here are pre-release versions from around 1998. Another mix of "Clouds of Indigo" first officially appeared on a compilation in 2000. Other mixes of "Smiling Buddha" appared as Ishq - "Happiness" on a compilation in 2004, and also on the Ishq website in 2005. "Shamballa" was retitled to the pair of songs "Clearlight" and "Home" on the 2008 release of Ixland.
  5. Ishq - "Opal (Opaque Mix)"
    This is a c. 2000 pre-release mix, slightly different than the one which later appeared on Orchid.
And here are some links for further research:

Thursday, July 2, 2009

Accept & leverage unauthorized distribution networks now!



If you like the song, support the artist and buy the record!

Oh wait, you can’t, because the Cesarez record, for example, has been out of print for 26 years. A secondhand copy of the 12″ was sold on eBay earlier this year for US $50. The artist, label, and publisher aren’t entitled to any of that money, due to the “first sale” doctrine of copyright law, which is as it should be.

The only way anyone would even know that these tracks might have a market for a reissue is for savvy A&R people to do research and find out what the DJs are playing, what’s hot in niche radio markets, what the critics are playing for each other, what’s being shared on the ’net, what’s being talked about and posted in the blogs. Well, we are right here, and we are doing this work for you for free.

So...

Attention labels, artists, and publishers: Music bloggers, including those who provide audio downloads, are your free market research services and your free publicity hounds. We tell you which tracks to remaster and reissue. We’re the tastemakers. We generate buzz in niche markets. We are part of the new face of radio.

People are willing to pay for good music, if only you’d make it available for fair prices, without a handover of personal information! Stop holding music for ransom. Accept the reality that all music is making its way into the underground distribution networks. Accept the reality that people who download music with no intention of ever paying for it wouldn’t have paid for it anyway; they would’ve bought a secondhand copy, copied it from some other source, heard inferior-quality clips on radio or in DJ sets, or simply gone without. Accept the reality that peer-to-peer sharing and direct downloading is the new radio; people try out tracks en masse and discard what they don’t want, and re-acquire “legally” what they can, depending on how convenient it is and how much it costs.

You’ll never eliminate the underground market, and you’ll never completely monetize it. But right now, you’re not getting anything out of it. Free publicity is going completely to waste. You probably didn't even know until now that your deep catalog music, which you thought no one cared about anymore, is generating interest again. It could be reissued in a limited edition physical media, and sold digitally through a site like juno.co.uk, netting you at least some income, even while it’s simultaneously freely available elsewhere. You could even ask music bloggers to take their clips offline once you’ve made the reissues available, and you'd be surprised that most of them would oblige because they want to support you.

But instead, you’re committed to letting the music languish in your archives, lamenting the fact that people aren’t paying you a living wage each & every time they copy & distribute their mediocre “rips” in the secondhand & digital sharing marketplace, angry that bloggers didn’t ask your permission even though they had naturally feared you would’ve come after them or placed unreasonable limitations on them.

It’s your choice. Do you want a piece of the action or not? Get on board and take advantage of the market and services that are right here in front of your eyes. Reissue lost tracks. Contact music bloggers to ask them to talk about your music, post free tracks, and direct folks to your authorized distributors, rather than ordering them to cease & desist. We are not your enemy.

Cesarez - Si tu sais compter… (Crazy Mix)

I had a little trouble finding a complete copy of this fun little French Canadian synth-pop song. It's part of the long tradition of French singers who are either children or just sound like children.

There are apparently 3 versions:
  • 4:19 version from the 7″ and 12″
  • 3:31 version from the 7″ only
  • 6:04 Crazy Mix from the 12″ only
Enjoy!

Others who have posted about this song:

Thursday, March 26, 2009

MP3.com to die, replaced by what it could've been

It looks like MP3.com is finally shutting down. They're going to redirect most of their site to Last.fm.

Wow, the irony.

Back in 2001, MP3.com got sued into oblivion for trying to start up my.MP3.com, an ad-revenue-supported streaming service that had a brilliant, built-in scheme protecting against the one thing that makes the music industry scared of streaming audio: people "downloading" and sharing permanent copies they wouldn't otherwise have bought already.

Then Universal/Vivendi, the company that won the suit, bought them out. But rather than exploiting the my.MP3.com cash cow themselves or setting up an iTunes-like store, either of which would've netted them $billions by now, they milked what they could from its back-end technology, and let its public-facing site languish before selling it to CNET, who continued to run it into the ground. And now it finally shuts down, declaring its successor to be Last.fm (now owned by CBS, which also bought CNET)...Last.fm being an ad-revenue-supported streaming service & successful revenue stream catalyst for the music companies who allow their music to be transmitted, a service not at all unlike what MP3.com was and could have been.

Imagine if they had gone down this road in 2000-2001, rather than sending an army of lawyers to destroy, destroy, destroy, even after being embarrassed by the success of iTunes. It's utter failure on the part of Universal and the other Big Four, who continue to assault potential revenue stream catalysts, be they Internet radio stations, YouTubers, music discovery bloggers, P2P networkers, or independent startups in music marketing & distribution. And yet slowly, inevitably, they inch toward embracing the conclusions that pragmatists like MP3.com founder Michael Robertson saw all along.

William "Boogie Knight" / "Kid Delight" Stroman, R.I.P.


I didn’t intend to post anything hip-hop related in this blog, but I was doing some research on The Boogie Boys (known for their 1985 hit “A Fly Girl”) and stumbled across a number of touching posts by people who knew the group’s central figure, William Darrell Stroman, a.k.a. “Boogie Knight” / “Kid Delight” on wax, then “Delight” / “9×Delight” / “Boogie Knight Kid Delight”. Stroman was murdered on October 9, 2001.

Everyone who wrote about him had such good things to say about him. If you have a minute, spend some time reading at these sites and get to know him.
  • July 2001 interview with William Stroman.
  • October 2001 announcement of Stroman's passing, posted by DJ Yoda (Crash Crew/Zulu Nation).
  • 2004 Boogie Boys / William Stroman mini-bio by DJ Yoda in a message board thread.
  • 2005 remembrance / memorial post by a friend/Army buddy of Stroman. The comments on that post contained further remembrances by more friends, ex-girlfriends, and others who loved him, so I used to recommend that people who knew him post there, so the comments would all be in one place and more easily found in searches. But as of late 2013, all of the comments on that blog have disappeared, and the comments on that particular post weren't saved by archive.org, so please feel free to just post here. It may take me a while to make sure your comment is not spam, but I certainly won't delete anything.
  • 2007 Boogie Boys bio
To hear Boogie Knight in action, check out this trio of Boogie Boys 12″ singles ( pw: 3BoogieBoys12s ), containing:
  • Rappin Ain’t No Thing – which has an ultra-old-school (1981) party vibe
  • A Fly Girl – their big hit
  • You Ain’t Fresh

Saturday, December 27, 2008

Florio Time D.J. - Time Out

Time Out was an hour-long dance music radio show primarily hosted by Florio "Florio Time D.J." Imparata. It was broadcast from 1980 to 1989 on Radio Piombino, an FM radio station in the small city of Piombino in Italy.

Someone has set up a tribute for the show at http://xoomer.alice.it/fivedance/. The site is mostly in Italian, and contains a few sound files in the venerable VQF format. I had images and transcoded versions of the audio files here in this post, but the owner of the site asked me to remove them.

Florio Time D.J. (where has he gone?) apparently released only one song of his own: the silly, druggy, theme "Time Out".
  • Florio Time D.J. - Time Out (Vocal)
  • Florio Time D.J. - Time Out (Instrumental)
This 1983 melodic electro cut is perhaps one of the greatest examples of pure Italo Disco, naïvely flaunting several defining traits of the genre, including heavily accented, speak-sung English lyrics — which, even when deciphered correctly, don't entirely make sense.

Behold:

Time Out is not the most story
Time Out is not which is own yours
Time Out the fable becames reality

A wonderful story
I come here today
And here's a story of Time Out
Three years ago
There was a DJ
That liked funky music
Just as we do
So one day
As a play
He had an idea
And say to house
My dear friend
I want to make a program
A program with the music
We all love!

Come on girls
Come on boys
Let's all dance
With the music of tomorrow
And every day
If your television's on
A new sensation
You'll be feel
But eat the cereal
It's good for you
There is a disco
For a night under the moon
The moon like it too
That's why you dancing
With your music
The electronic sound!

Time Out
Music in my heart
Time Out, Time Out
Music in your heart
Time Out, Time Out
Music in my heart
Time Out, Time Out
Music in your heart
Turntables mix
A one headphone
And any way good
This is Time Out
The sound you will like
It gives you a shock
This is the music
Of the Time

Turntable mix
And one headphone
And many record
This is Time Out
The sound you like
And give you a shock
This is the music
Of the Time

Time Out
Music in my heart
Time Out, Time Out
Music in your heart
Time Out, Time Out
Music in my heart
Time Out, Time Out
Music in your heart

Come on girls
Come on boys
Let's all dance
With the music of tomorrow
And every day
If your television's on
A new sensation
You'll be feel
But eat the cereal
It's good for you
There is a disco
For a night under the moon
The moon like it too
That's why you dancing
With your music
The electronic sound!


These blogs also posted about the song "Time Out":
Italo Deviance (September 2008); Kontrapunkt (June 2008); My Secret Playlist (December 2008)

Flemming Dalum - Italo Classix

Flemming Dalum's expertly crafted "Italo Classix" mix straddles the line between DJ set and megamix, briefly visiting the essence of nearly every above-par Italo Disco track from the genre's heyday. Although it's packed with hits, he thankfully sticks to the relatively edgy songs that have the most longevity, steering mostly clear of the guilty-pleasure, overt pop and Hi-NRG side of Italo that would sound dated and jarring in a modern set. With 100 tracks in 80 minutes, it's the best mix of '08, for sure. Original post and link to the mix are at http://djhistory.com/forum/showthread.php?p=411156 http://djhistory.com/forum/flemming-dalum-italo-classix-100-tracks-in-80-min

Magic Waves posted an interesting interview of Flemming Dalum, probably one of very few people in the world with nearly every Italo Disco record ever made.



He's also posted another set recently: The Dark Side of Italo: http://www.djhistory.com/forum/showthread.php?p=416708 http://djhistory.com/forum/flemming-dalum-the-dark-side-of-italo. This one is shorter but is mostly instrumental, built from Italo loops, plus effects.